Graphics Inventory Project Completed!

2012/08/27

Written by James DaMico, Special Collections Curator

At 5pm on July 31st, the most comprehensive inventory of our Graphics collection backlog was completed. A total of 7,800 new catalog entries were created, and 257,524 items were processed.

The 7,800 catalog records represent collection level and single item entries. This total represents approximately 800 linear feet of previously hidden collections. Or to put it another way, about 8 football fields worth of material laid out end to end.

Here’s a breakdown by type of object:

Object Type Total
NEGATIVES (Glass, Nitrate, Safety) 52,780
DIRECT PHOTOGRAPHS (Tintypes, Daguerreotype, Ambrotypes) 1,204
TRANSPARENCY FILM (35mm, 16mm, stereoscopic, etc.) 29,821
PHOTOGRAPHIC PRINTS (Cabinet cards, albumen, silver gelatin, etc.) 109,094
MECHANICAL PRINTS (Engravings, halftones, etc.) 18,993
VOLUMES (Photo albums, scrapbooks, etc.) 2,009
DRAWINGS (Watercolor, Pencil,Charcoal,etc.) 3,998
ARCHITECTURAL DRAWINGS 13,818
ENGINEERING/MECHANICAL DRAWINGS 1,281
BROADSIDES 900
MAPS 3,035
AUDIO 3,375
MOVING IMAGE: FILM 657
MOVING IMAGE: VIDEO 491
EPHEMERA 16,106

This Graphics Inventory project, initiated with an 18 month grant from an anonymous donor interested in the Society’s amazing graphics collection, officially began on January 16, 2007. We soon realized that 18 months wasn’t nearly enough time for this mammoth undertaking so an application was made to the Institute of Museum and Library Services (IMLS) for a Museums for America grant.

In 2009, great news was delivered when the Society was informed by the IMLS that we were awarded a 3 year, $99,400 grant to complete this project. The staff who worked on the application can be proud to know that the Society was one of 154 grant recipients out of a total of 371 applicants.

What makes this project so important is that we are able to input the entire backlog into one unified database instead of the information being in multiple disparate locations such as shelf lists. At the time, before the launch of our on-line catalog NETOP, creating an Access database to capture all of the relevant information was decided to be a wise idea. From the Access database we can now export the 7,800 catalog records that were created over the last 5.5 years into NETOP.

But this project wasn’t just about counting – each object in each collection was looked at, described and generally re-housed in archival materials. In total, 257,524 individual items were looked at and added to the appropriate object type. What this means is that for collection level records, we now know how many of a particular item, say Cabinet card photographs, are in a given collection. Some collections that were found in their original, strewn together arrangement could take up to 2 weeks to process and instill a usable order.

Copyright RIHS 2012

A box of carefully house glass plate negative.

Copyright RIHS 2012

The first sort!

Copyright RIHS 2012

Yes, this collection actually came in a Chiquita banana box!

Copyright RIHS 2012

The inventory shows us that we are weak in visual material for the better part of the mid to late 20th century especially for the towns and cities outside of Providence and it also shows that our holdings are not very diverse. This will allow us to make very precise acquisitions decisions. Another great aspect of this project is that we can now re-link collections that had been intellectually broken apart in years past thus reestablishing the context of the records creators across all of our collecting areas of museum objects, manuscripts and printed material.

Some basic statistics that have been culled from the Inventory project tells us that of the total number of individual items:

  • 20.5 percent are photographic negatives
  • 42 percent are photographic prints dating from the 1850’s to the 20th century
  • 82 percent of the 7800 collections inventoried need to be cataloged
  • 66 percent of the collections need some type of new archival housing
  • Only 2% or 165 of the collections have a finding aid or a mention in a finding aid

In addition, the data shows that we will need to purchase some 146, 574 archival enclosures. This ranges from simple boxes and folders to oversize map folders and four flap enclosures for glass plate negatives. This survey shows that it isn’t free to house and provide access to researchers these very special collections and how important it is to have the proper funding for archival supplies to provide long term care for the collections under our roof.

For example, to properly house a collection of 100 one of kind glass plate negatives would cost approximately $240.

Copyright RIHS 2012

Glass plate and four flap enclosure

Copyright RIHS 2012

This does not include the labor, employee benefits, heating and cooling the building, electric, phone, insurance and water bills. If an item needs professional conservation work the expense goes up even higher.

In addition, many items or collections that were thought missing were found again and a few rare items were rediscovered such as Ambrose Burnside’s passport and a rare 1841 Dorr War broadside.

For internal staff, the Graphics Inventory means that they can now search for items in one central database thus allowing them to make more informed acquisitions decisions. Accession information such as an intake date, that was found with or on an item is also included in the Inventory. Moreover, the data that has been captured will allow the staff to prioritize processing projects and write grants to purchase archival supplies and process collections more fully.

It is a great feeling to clear up a 30 year backlog!


Graphics Inventory Project Update

2010/09/13

By Jim DaMico, Graphics Project Archivist

The Graphics Inventory Project has surpassed the creation of 7,000 basic catalog records and has surveyed 207,526 individual items. Seventy five percent of the total number of items inventoried thus far is photographic material ranging from glass plate negatives to Polaroid photographs. The portion of the Rhode Island Historical Society’s Graphics Collection that has been surveyed is approximately 739 linear feet or put another way, approximately 2.5 football fields long.

Preservation
Counting the number of items held in the Graphics Collection isn’t the only task that the Archivist is undertaking. A thorough preservation assessment is being conducted in order to determine whether or not an item or collection is stable enough to be handled by researchers. We are also collecting data on the quantity of archival supplies needed to properly re-house collection items. Thus far we need 3,425 new folders, 106,984 polyester sleeves, 723 archival boxes, and 22,647 specialized storage containers. For example, glass plate negatives, for optimal protection, require suspension boxes and four flap enclosures. The cost to properly house (50) 8” x 10” glass plate negatives is $50 per suspension box and $67 for (50) four flap enclosures. As one can see, just the material cost alone to preserve Rhode Island history is an expensive yet worthwhile endeavor.

Conservation
There is also a need to stabilize, through professional conservation techniques, rolled maps and architectural drawings.

© Rhode Island Historical Society http://www.rihs.org

Over 10,000 architectural drawings have been discovered during the Survey and include pencil on linen, pen on linen, blueprints, Photostats and pen on tracing paper. Conservation techniques such as the use of a humidification chamber to relax rolled drawings is one of many tools that are needed in order to make the wonderful collection of architectural drawings that have been found during this Survey available to researchers.

Media Migration
The Graphics Collection also holds over 300 2” Quadruplex videotape reels that document local businesses and political campaign commercials. Two inch Quadruplex video, the first commercially available videotape format was first introduced in 1956 and was used in television studios across America until the 1980’s[a]. This is one of the most endangered video formats due to obsolescence of playback equipment, chemical and physical decay and the shrinking number of experts that know how to properly transferthe media.

© Rhode Island Historical Society http://www.rihs.org

Organizations such as Texas Commission on the Arts recommend in their Video Conservation Guide “Immediate re-mastering through a vendor with proven experience with this format.”[b]

If you would like to learn how to help the Rhode Island Historical Society preserve and stabilize it’s important collection of 19th and 20th century graphics material such as architectural drawings, maps, photographs and audiovisual material, please contact Karen Eberhart, Special Collections Curator at keberhart_at_rihs.org.

[a.] Quad Videotape Group-Quad History-Page Index
http://www.quadvideotapegroup.com/QuadHistory-PageIndex.htm (accessed 2010_09_09)
[b.] Texas Commission on the Arts: Video Conservation Guide
http://www.arts.state.tx.us/video/id/quad.asp (accessed 2010_09_09)


Help Identify Narragansett Electric Lighting Company Portraits

2010/06/09

A call for help!

Recently, during the inventory process, a large collection of gelatin dry plate glass negatives, ca. 1900-1940, were discovered. At first, the images of formal portraits of men dressed in suits were a mystery. I believe that these men may have been part of the management team. The majority of the envelopes that the negatives were found in had the acronym N.E.L.Co. After some investigating I found one envelope that had this spelled out: Narragansett Electric Lighting Company. Unfortunately, the photographer is not identified but fortunately most of the portraits are identified.

Upon checking our holdings I did not discover any N.E.L.Co. publications that had portraits of any of the men listed.

If you know of anyone that may have worked for Narragansett Electric Lighting Company or any other information regarding these portraits please leave a comment.

Thank you for your assistance.